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Recent Posts

Changing methods of Interpretation: Barnett Newman’s ‘The Wild’

This article examines in what ways and for what reasons have established approaches to the interpretation of works of art been challenged since the 1970s? The article will focus on Barnett Newman’s 1950 work, The wild, and will compare two essays, firstly by Lisa Frye Ashe, and then by Michael Schreyach. The ‘beholders involvement’ is […]

Artistic Genius? Jasper Johns’ Flag (1954)

In Critique of Judgement, Emmanuelle Kant argued the case for the artistic genius;[1]which is defined as a member of society with God-given talent, almost always male,[2]whose unacceptable behaviour may at times be excused, but who otherwise exhibits an extraordinary creative gift.[3] This article will reflect on two texts that discuss this concept of artistic genius in relation […]

Slaves Made Glasgow: A survey of Glasgow street names.

From 1740 to 1790, Glasgow was the leading entrepôt of tobacco in the world.[1] Many locations and street names in Glasgow celebrate the magnificent wealth building of early merchants, who took Glasgow from an insignificant Scottish town of barely a dozen streets, to a global trade dominion. Often overlooked however, is the near total reliance on slave […]

Beyond the Binary: Postcolonial Cybernetics and Scottish Identity

This post examines the issue of Scottish national identity using a theoretical framework drawn from Cybernetics and Postcolonial theories. Specifically it focuses on the construction of the historical relationship between Scotland and England through the process of manufacturing myth. By examining the parallels between Cybernetics theory and Postcolonial theory as it is applied to Scottish […]